Travis Stephens
Pine Row Issue No. 3 Spring 2021 - Featured Poet
Eileen Myles Can Borrow My Tools Anytime
Stepping outside to
forest color elms
nearly gone but oaks
yellow dropping
acorns rattle
and anyway, out of
touch
out of sorts
having just discovered
Eileen Myles
at fifty-three
years of age and how
to hell
could that happen?
Consider pitbulls
leather jackets
soft hands &
truth upside
the fucking
head.
Ignorance is
a hammer;
understanding a
razor blade.
In the truck
shop they think
I’m on coffee break.
Having a smoke.
I am reading
her poem “Peanut Butter”,
mouthing the words
chewing them
thinking
how does she
set down so much
in short lines
that
negative space
truth
sorrow
ringing like a bell?
My daughter likes
to give me shit
about the music
I like, calls it
lesbo rock, but it’s
mostly Canadian
and who can piss
on guitars & drums?
The guys tolerate my music
as long as I loan
out my tools—
hey you got a puller?
Crowfoot spreader?
Man, the inner
bearing
is bound up,
the press a pain
to set up, you know.
Can I borrow yours?
Michelle Shocked
is hollering
“Hold me back”
though she’s not
lesbian or
Canadian
but Texan &
another mostly unknown.
Another artist writing
& fucking & drinking
great breaths of
dusty elm-oak
while
Eileen is waiting
for dirty hands
mechanics,
graduate students
&a wealthy
Grant Committee
to say
hey, listen to this.
You got to
read this.
Interview with Travis Stephens
by Pine Row Editorial Board
Has your relationship to poetry changed in any way during the pandemic?
I am fortunate that by working at home for most of the pandemic, I was able to use what was Commute Time as non-guilty writing time. It lent me time to revisit my journals and mine them for poems or poetry inspiration.
What inspires you to write poetry. Why do it?
I write observations or narratives which can become poems or stories. In the first, handwritten draft I just try to capture a voice. I struggle to define what is a poem, other than to say it is not something that has to rhyme, not something that has to have structure. It is a moment, a story, a place, a feeling, expressed in as few words as possible. Why do I write? Because when I write I feel more fully alive and present than at any other time. Present to be frustrated, stymied, confused and sometimes alight. I write because I love it, hate it, avoid it and need it: I wouldn't want it any other way.
How do your poems transition from inspiration to draft to final version?
I tend to write a longhand draft in a journal. This might be a single verse or just an observation. First edit is when I type them, sometimes months or years later. Usually I add as I type, so the second draft is longest. Then I read them aloud and chew over them. Cut and dry. Third draft is where I play with line breaks. Fourth draft, if necessary, focuses on an ending.
What book is currently on your nightstand?
Louisiana writer Tim Gautreaux, Louise Erdrich, John McPhee, Megan O'Rourke, John Sanford
Will you please name a few poet/s (or people / role models) who inspire you?
I owe so much to the poets I have been reading: Ada Limon, Phillip Levine, Jennifer Knox, Sandra Beasley, Aimee Nezhukumatathil, Natalie Diaz, Dean Young.
Do you have access to a community of writers / artists / poets?
No. I work in transportation and doubt any one of my co-workers will ever read my stuff.
Anything else you'd like to add?
My first book of poems skeeter bit & still drunk will be published in March 2022 by Finishing Line Press. My website: travisstephenswrites.com
Travis Stephens is a tugboat captain who resides with his family in California. A University of Wisconsin-Eau Claire alumni, recent credits include: Gyroscope Review, 2River, Sheila-Na-Gig, GRIFFEL , Offcourse , Crosswinds Poetry Journal, Gravitas and The Dead Mule School of Southern Literature.